When you blend Vincent Vadakkan’s document with Fahad Faasil’s electricity in a 50,000-watt mixer with 10,000,000 RPM motor called Anwar Rasheed and add to it a handful of Gautham Menon, give it a generous shake of Dileesh Pothan and a shot of Chemban Vinod and Vinayakan each, and garnish it with a lavish amount of Nazriya – what you have is a delicious cocktail of genres, called Trance.